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Symbolist landscape.

Nymphenburg, 1904

Vassily Kandinsky

G359

treatise on modern art with 10 original woodcuts and text by Vassily Kandinsky; first edition

Uber das Geistige in der Kunst, 1912

Vassily Kandinsky; Publisher: R. Piper and Co. , Munich

Not on View
overall 'L' shape; tall back panel rough at edges with two seated animals, bodies facing with heads turned away; animals painted in gold as well as rings around eight candle holders along bottom

%C2%A9 Anatoli Luovitch Kaplan

Hanukkah lamp, early 1970s

Anatoli Kaplan

G362

Study for a Costume, 1912

Leon Bakst

Not on View
Saddle bag with front of black woolen material embroidered in the center with a triangle placed in an oblong and surrounded by four borders filled with diamond shapes or triangles. The back is cotton and has two leather loops attached at the top.

Saddle bag, 19th century

Russia

Not on View
tan and red on black ground; text includes date '1.3.2.1933'

Copyright of the artist%2C artist%27s estate%2C or assignees

Invasion, 1933

Victor Shestakov

Not on View
Plate 5

The Woman on the Beast, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 3

The British Lion, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View

Cover from War: Mystical Images of War, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 4

The French (Gallic) Rooster, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 8

Holy Vision (Apparition), 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
abstract image; printed in black; linear design with football shape at bottom and organic vertical shape at center; printed on thin tissue paper; mounted in front of piece of black paper which is affixted to white coated cardstock

%C2%A9 Estate of Naum Gabo

Untitled (Opus Four: The Lyrebird), 1950

Naum Gabo

Not on View
head shot portrait of a woman holding eyeglasses in proper right hand; ring on little finger

%C2%A9 Estate Alexander Rodchenko %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Olga Rodchenko, the Photographer's Mother, Reading, 1924

Alexander Rodchenko

Not on View
brown robe woven with vertical white stripes; navy blue applique trim on sleeve cuffs, bottom hem, yoke, and back center, all with curving embroidery patterns; white collar

Attush robe with white stripes, second half 19th century

Unknown Sakhalin Ainu

Not on View
wood drum beater

Drum beater [from a shaman costume set], late 19th-early 20th century

Unknown

Not on View
beige robe with black trim around collar, yoke, sleeve cuffs, and bottom hem and center; yoke, cuffs, center and bottom hems also have brown/green applique with stepped cut outs; small string tie on either side of front opening at waistline

Simple retarpe robe without back design, mid 19th century

Unknown Sakhalin Ainu

Not on View
light brown robe with navy blue applique trim around sleeve cuffs, bottom hem, center edges and upper back; light blue applique is attached on either side of the navy blue yoke applique; blue swooping embroidery throughout; light blue lining on interior bottom and at chest

Attush robe with light-blue appliqué, late 19th century

Unknown Sakhalin Ainu

Not on View
cloth amulet with thin string as strap; blue square piece of cloth, with a small, metal figure in T center; strips of colorful cloth hangs downward from top edge

Amulet [from a shaman costume set], late 19th-early 20th century

Unknown

Not on View
pair of tan boots, with cloth decorative cords in pale green and red and white printed fabric; metal rings at outer center of each boot, with metal decorative cones, and tan feathers extending upwards

Pair of boots [from a shaman costume set], late 19th-early 20th century

Unknown

Not on View
Plate 6

Peresvet and Oslyabya, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 10

Angels and Airplanes, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
54 numbered pages and 52 illustrations by Goncharova, of which 9 are full-page; title printed in black; binding: glued wove paper wrappers. Lithographic reproduction of the author's handwritten Cyrillic text.

Gorod: Stikhi (The City: Verses), 1920

Natalia Sergeevna Goncharova; Author: Aleksandr Rubakin; Publisher: Aleksandr Rubakin , in Paris

Not on View
tan cloth coat, with cords of decorative fabric that hang in clumps from top of coat; pieces of metal dangle throughout

Shaman costume [from a set], late 19th-early 20th century

Unknown

Not on View
beige robe with embroidered navy blue applique trim around sleeve cuffs, bottom hem and bottom center, yoke, and horizontal line across shoulders on back; embroidery on trim is white and light blue alternating lines, straight and curving; off white collar with blue stitching short brown tie on either side from front center

Retarpe robe with horizontal band, 18th-19th century

Unknown Sakhalin Ainu

Not on View
headdress, with tan cloth cap and small brim; metal bells and other metal strips attached to banding; cloth cords and strips of cloth fabric hang at base

Headdress [from a shaman costume set], late 19th-early 20th century

Unknown

Not on View
beige with light blue vertical stripes and navy blue applique trim around neck, sleeve cuffs, center opening, bottom hemline and upper back; blue applique on sleeves, lower sections, and back has brown and blue curving embroidery; two short brown ties at center chest

Retarpe robe with light blue stripes, second half 19th century

Unknown Sakhalin Ainu

Not on View
pair of seal skin boots, tan in color with black bands of fabric at top folds; bands have two thin embroidered lines, one that is yellow in color and one that is a pale green in color

Pair of seal-skin boots for a woman (tukar-ker), early 19th century

Unknown Sakhalin Ainu

Not on View
brown robe with navy blue applique, light blue embroidery, and brown velvet trim; embroidery accents extend beyond the stepped applique on the sleeves, yoke, center opening, bottom section, and upper back; ties along the waist line and collar are all brown velvet (two at front center, one on PR side) and one interior tie is blue (on PL side)

Retarpe robe with detailed embroidery, 18th-19th century

Unknown Sakhalin Ainu

Not on View
image of male and female acrobatic performers with hoops on top of a tank surrounded by many soldiers

Fun Break at the Front on the March Toward Berlin, 1945 (printed 2003)

Dmitrii Baltermants

Not on View
image of bodies of men with women in middle ground; woman at center bends down over a body; standing men in URQ

A Woman Finds her Husband, Kerch, Crimea, January 1942 (printed 2003)

Dmitrii Baltermants

Not on View
image of a soldier handling long clips of bullets

Gunner Loading Ammunition, 1941-1945 (printed 2003)

Dmitrii Baltermants

Not on View
image of two soldiers on horseback in foreground on a brick street with demolished vehicles; buildings at left; bare trees

Inspecting the German Losses on the Outskirts of Odessa, 1944 (printed 2003)

Dmitrii Baltermants

Not on View
image of three men crawling on their stomachs, pulling crates with roped tied around them; partially tipped-over railcar at center; buildings in background

Logistics Line, Germany, 1945 (printed 2003)

Dmitrii Baltermants

Not on View
black and white image; soldiers in a field, charging, with guns raised; tank in CL; birch trees in C

Advancing Through the Birch, 1941-1945 (printed 2003)

Dmitrii Baltermants

Not on View
black and white image; soldiers standing in a body of water arranging a canon; smoke in background

Battle in the Streets of Berlin, December 1944 (printed 2003)

Dmitrii Baltermants

Not on View
black and white image; soldiers stand facing outward in an interior that has been bombed; piano in LRC

After Tchaikovsky, 1945 (printed 2003)

Dmitrii Baltermants

Not on View
black and white image; two standing figures in oversized clothing, long coats, with cloth tied to feet for shoes; standing of gravel ground

Two German POWs, 1945 (printed 2003)

Dmitrii Baltermants

Not on View
black and white image; group of figures standing in a pile of rubble; figure in LRQ standing in shadow, with PL arm raised

Battle in the Streets of Berlin, 1945 (printed 2003)

Dmitrii Baltermants

Not on View
black and white image; battle scene in a field, with soldiers in uniform running in background; soldier in LRQ, holding binoculars, yelling and standing next to a cannon

A Call to Arms, 1941-1945 (printed 2003)

Dmitrii Baltermants

Not on View
beige colored coat with organic, abstracted applique bird and cow head shaped motifs; blue detailing around collar and cuffs; subtle red details around collar, sleeves, and winding through applique; asymmetrical closure on front

Woman’s fish-skin festival coat (hukht), 19th century

Unknown Nivkh

Not on View
carved overall with wavy vertical lines on sides; loose, wavy basket weave carved on top; hinged cover; suede lining on inner sides; gold painted foam with cavities for each goblet

%C2%A9 Nikolai Ossipov

Box, from "Four Seasons", 1996

Nikolai Ossipov

Not on View
Plate 25; black-and-white scene of building with two window and doorway with overhang; sign above doorway and figure sitting on steps; woman and child stand in background in between two shutters; three children grouped in lower left quadrant; three more children and dog grouped in lower right quadrant

%C2%A9 Anatoli Luovitch Kaplan

The Children of the Town of Anatevka, 1961

Anatoli Kaplan

Not on View
black-and-white image; outer band of design with six roundels dispersed with portraits of faces, one on top center, one on bottom center and two each of right and left side; swirling linear designs between portraits; rectangle in center; Hebrew text in center, with dates 1957-1961 along bottom edge

%C2%A9 Anatoli Luovitch Kaplan

Title page from "Tevia the Milkman", 1957-61

Anatoli Kaplan

Not on View
Plate 8; interior scene; veiled woman on right standing over series of candles on a cloth covered table, hands raised over candles; large cabinet behind woman in URC; window with curtains in ULQ; chair beneath window and one at table; smaller table and chair in LLQ

%C2%A9 Anatoli Luovitch Kaplan

On the Eve of the Sabbath, 1961

Anatoli Kaplan

Not on View
Plate 9; street scene; group of four figures in front, two men and two women; chickens in LRC; horse pulling wagon behind chickens with two figures riding; buildings in background; two figures sitting on steps of building in ULQ; dog or goat in middle left

%C2%A9 Anatoli Luovitch Kaplan

In Boiberik, 1961

Anatoli Kaplan

Not on View
color lithograph with scene of two animals, a goat on the right and a lion on the left, standing on their hind legs; two birds below lion and goat with text in between; gold scrolling designs dispersed throughout scene with orange, black, and white gradated shading

%C2%A9 Anatoli Luovitch Kaplan

Title page from "The Little Goat", 1957-61

Anatoli Kaplan

Not on View
Plate 19; two figures, one male and one female, beneath a tree on left; male figure crouches and gazes at object in his hands; female is standing behind male, hands in prayer position with white flat object held in her arms; goat grazing in LRQ; two figures fishing in distance behind the goat; body of water in middle ground; boat with figure in the distance toward the horizon; sun in URQ with gradated sky

%C2%A9 Anatoli Luovitch Kaplan

Awaiting Sentence, 1961

Anatoli Kaplan

Not on View
Plate 11; black-and-white image of bearded man standing in a room; chair on left edge; hanging clock top center; window on right with cat seated below it; girl seated at window opening; man wears long, striped robe that covers his head

%C2%A9 Anatoli Luovitch Kaplan

Praying Before Breakfast [Tevia Praying], 1961

Anatoli Kaplan

Not on View
Plate 21; interior scene of woman standing in front of a window looking out onto a village or town; small horse and wagon in distance; clock hanging on wall in URQ

%C2%A9 Anatoli Luovitch Kaplan

Waiting, 1961

Anatoli Kaplan

Not on View
Plate 22; interior domestic scene; two figures, one male and one female, sit at a table in front of a window; female sits at right side of table, male at left; hanging clock on wall above female in URC; stove and cooking items in LRQ; shelves with jars and containers as well as second window in ULQ

%C2%A9 Anatoli Luovitch Kaplan

In Exile, 1961

Anatoli Kaplan

Not on View
center green circular image of seven seated figures at a table with hanging lamp directly above; Hebrew script in silver pigment on outer edge of circle; four birds in black, green and silver ink in all four corners of outer image; silver background with black dots; green and black striped border with black and silver alternating pattern on outer border; small black lines on top and bottom of image

%C2%A9 Anatoli Luovitch Kaplan

The Friday Night Meal (Kiddush), 1961

Anatoli Kaplan

Not on View
watercolor of 6 specimens of mushroom; pink and white; leaf, twig and acorn specimens between and around mushrooms; mounted and matted

%C2%A9 Alexander Viazmensky

Hygrophorus russula, 1995

Alexander Viazmensky

Not on View
watercolor of 5 specimens of mushroom; top and bottom specimens have golden-brown caps, 3 others have brown caps; leaf and foliage specimens between and around mushrooms

%C2%A9 Alexander Viazmensky

Boletus edulis, 2002

Alexander Viazmensky

Not on View
large round drum; inner wooden cross bar carved with thin, diagonal lines

Drum [from a shaman costume set], late 19th-early 20th century

Unknown

Not on View
cubist style; face of man with clock in LLC and partial clock faces in ULC and URC; zigzag shapes in lower corners; tans, greys; received unframed

The Clockmaker (Der Uhrmacher/ L'horloger), c. 1914

Attributed to Ivan Vasilievich Kliun

Not on View
back of heavy-set man wearing medium-toned suit, with his hands held behind his back, in an interior

%C2%A9 Elliott Erwitt %2F Magnum Photos

Nikita Kruschev (at the Kremlin), Moscow, 1959

Elliott Erwitt

Not on View
simplified, close-up portrait; large, wide, brown eyes; purple and blue lips; purple nose; lavender and green skin; pink spot on PR cheek; multicolored hair with bangs; black border; received on pale green mount, with black frame

Mama in Heller Mondnacht, c. 1920

Alexej von Jawlensky

Not on View
tan coat with fish scale texture; asymmetrical closure at front; applique around collar; blue, red, and tan hems and cuffs; organic, curling applique on back

Woman’s fish-skin festival coat (hukht), late 19th century

Unknown Nivkh

Not on View
three-dimensional paper construction which extends outward from wall; covered in Plexiglas vitrine; vertical surface has concave irregularly-shaped area at left center, with light and dark blue surface with black lines and textures and black linear element; concave square area in ULQ above irregularly-shaped concave area; vertical surface of pastel pink and blue with black scratchy reverse text-like marks in horizontal lines and horizontal black lines at bottom; curving black linear marks in URQ; conical and spiraling protruding element in black with white, blue, red, and turquoise bars and lines

%C2%A9 Oleg Kudryashov

Construction, Plate 1456, 1986

Oleg Kudryashov

Not on View

Icon: The Archangel Michael Blessing the Martyred Saints Florus and Laurus of Dalmatia, 1450-1500

Unknown Russan (Novgorod)

Not on View
Men holding down cables attached to the sides of a large, inflating hot air balloon

%C2%A9 Estate Dmitrii Baltermants

Before Sputnik, 1954

Dmitrii Baltermants

Not on View

St. Mark, 16th century

Unknown Russian

Not on View

%C2%A9 Estate Alexander Rodchenko %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Osip Brik, 1924

Alexander Rodchenko

Not on View

%C2%A9 Estate Alexander Rodchenko %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

The Poet Nikolay Aseyev, 1927

Alexander Rodchenko

Not on View

%C2%A9 Estate Alexander Rodchenko %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Pioneer, 1930

Alexander Rodchenko

Not on View

%C2%A9 Estate Alexander Rodchenko %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Gathering for a Demonstration, 1928

Alexander Rodchenko

Not on View

%C2%A9 Estate Alexander Rodchenko %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Sportsman's Parade, Red Square, Moscow, 1932

Alexander Rodchenko

Not on View
orange, white and black Avant-garde graphic design of a ship docking

Untitled Panel, c. 1930

Russia

Not on View

St. John and St. James the Greater, 16th century

Unknown Russian

Not on View
Soldiers pushing a cannon through water

%C2%A9 Estate Dmitrii Baltermants

Crossing the Oder River, 1945

Dmitrii Baltermants

Not on View
Young boy playing a flute, seated on the back of an ox, standing in water

%C2%A9 Estate Dmitrii Baltermants

Flute for Two, Vietnam, 1959

Dmitrii Baltermants

Not on View
3 men standing around a small table, looking at papers, in front of a large machine in a factory; 2 other men standing on a platform at right, operating machinery

%C2%A9 Estate Dmitrii Baltermants

Building Communism, 1948

Dmitrii Baltermants

Not on View
Large military procession through a Russian street

%C2%A9 Estate Dmitrii Baltermants

Red Square, Moscow, 1946

Dmitrii Baltermants

Not on View

Kleine Welten VI, 1922

Vassily Kandinsky; Publisher: Propylean Press , Berlin

Not on View
Bound illustrated book featuring 56 woodcuts (created c. 1907-12; 44 printed in black; 12 in color) and 38 prose-poems (written c. 1909-11)

Klänge (Sounds), 1912 (dated 1913)

Vassily Kandinsky; Author: Vassily Kandinsky; Designer: Vassily Kandinsky; Printer: F. Bruckmann , (woodcuts); Printer: Poeschel and Trepte , (text); Publisher: R. Piper & Co. , Munich

Not on View

%C2%A9 Estate Alexander Rodchenko %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Shuchov Transmission Tower, 1929

Alexander Rodchenko

Not on View

Kleine Welten IV, 1922

Vassily Kandinsky

Not on View
binding: printed paper covers in black and red on orange paper; 74 pp.

Dlya Golosa, 1923

El Lissitzky (Lazar Markovich Lissitzky); Designer: El Lissitzky (Lazar Markovich Lissitzky); Author: Vladimir Vladimirovich Mayakovsky; Publisher: Gosizdat , Berlin

Not on View
172 pp.

Gardeners over the Vines, 1913

Natalia Sergeevna Goncharova; Author: Sergei Pavlovich Bobrov , active early 20th century; Printer: V.I. Voronov, Moscow; Publisher: Knigoizdatel'stvo "Lirika," Moscow

Not on View
Smiling man wearing a fedora, embroidered shirt, white suit and woven shoes leaning against a table

%C2%A9 Estate Dmitrii Baltermants

Nikita Kruschev, 1955

Dmitrii Baltermants

Not on View
Snowy paved square with long line of people entering a small building in midground; large building with people in front at right

%C2%A9 Estate Dmitrii Baltermants

Queue for Lenin's Tomb, 1959

Dmitrii Baltermants

Not on View
Man dressed in dark pants, shoes, socks and long-sleeved shirt sitting in a folding beach chair reading a newspaper; city visible in background; water at left

%C2%A9 Estate Dmitrii Baltermants

Dead Season on the Beach, France, 20th century

Dmitrii Baltermants

Not on View

Am Strande, 1903

Vassily Kandinsky; Printer: Vassily Kandinsky

Not on View
first edition

%C2%A9 Estate Alexander Rodchenko %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Conversatons with the Tax Collector about Poetry, 1926

Aleksandr Mikhailovich Rodchenko; Author: Vladimir Vladimirovich Mayakovsky; Publisher: Zakkniga

Not on View
Gentleman's Coat, cloth of gold brocaded with velvet; on the gold background a pattern of velvet leaves in green, and flowers in rose, blue, mauve, and white; facing of cotton print; lining of cotton print, red with yellow crescents and stars. Brought from Moscow by Wannamaker's buyer in 1917. silk, cotton, and gold.

Woman's Coat, 19th century

Russia

Not on View
Icon, oil on wood with polychrome porcelain frame, Russian, XIXc in wooden case; dimensions are of case cat. card dims (of box) 5 x 4-1/2 x 1-1/4'

Icon; Christ Pantokrator, 19th century

Unknown

Not on View

%C2%A9 Estate of Pavel Tchelitchew

Portrait of Monroe Wheeler, c. 1945

Pavel Tchelitchew

Not on View
couple seated at a table with green and white table coverings--man just rising from his chair; another woman in blue dress with white apron stands at right; seated woman holds a white cat; painting and sketch hang on wall in background

Painter and His Wife Just Finishing Their Meal, 19th century

Michael Baschiloff

Not on View

%C2%A9 Estate Alexander Rodchenko %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Photomontage for Vladimir Mayakovsky's book "Pro Eto", 1923

Alexander Rodchenko

Not on View
Plate 1

Saint George the Victorius, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
4 seated men, one standing man and 2 men bending and looking down behind a balcony ledge

%C2%A9 Estate Dmitrii Baltermants

Untitled (men behind a ledge), 20th century

Dmitrii Baltermants

Not on View

Panel, 19th century

Russia

Not on View
Five rows of men and women, all dressed in suits; front row of people seated on chairs with back rows standing on risers

%C2%A9 Estate Dmitrii Baltermants

Untitled, 20th century

Dmitrii Baltermants

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York

Grand bal de nuit / Salle Bullier grand bal des artistes, 1926

Natalia Sergeevna Goncharova; Printer: Joseph-Charles, Paris

Not on View
Wheel-carved leaf motif with sculpted collar

Vase, c. 1909

Imperial Court Glass Factory

Not on View
Brocade: blue satin with a silver pattern of pomegranates and grapes

Panel, 19th century

Russia

Not on View
Blue ribbon with gold border and fringe and geometric designs of green, black, puple and cerise. Tapestry weave.

Ribbon, 19th century

Russia

Not on View
Blue band with geometric pattern in blue and cream. Blue fringed border.

Blue band, Date Unknown

Russia (?)

Not on View
Bowl, glass with engraved foliate design in gilt and colored enamel. Rim and foot edged with narrow band of gold.

Bowl, 19th century

Russia

Not on View
Lapschin, Plate

Suprematist plate, 1909 (decorated c. 1923)

Nikolai Lapschin

Not on View

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